I have been singing as an extra with Albany Pro Musica since 1990. This despite not being able to read music, at least not at the beginning. This failing of mine, that dates back to grade school when my parents and teachers allowed me to opt out of music class in exchange for doing more arithmetic, has been a limitation in my choral career. It slows me down in learning new pieces.
At times I thought maybe I would study music and learn how to sight read, but I never got around to doing that. I tried a couple of times to become a regular member of the chorus, auditioning with the founding director, David Janower. But being able to sight read is a requirement for full membership, and as I got older I think the quality of my singing declined a bit. I finally gave up the idea, but I remained a member of the “B” team and got to sing one or two concerts every couple of years. There are some good musicians who were not accepted into this group, which is officially called Albany Pro Musica Masterworks. So I was happy to be in Masterworks.
When David passed away a couple of years ago, the principal chorus sang with a number of interim directors before hiring José Daniel Caraballo, who moved to this area from Vero Beach. The first production involving Masterworks was scheduled for this spring, and it was necessary for everybody to have an audition with the new director.
I was not looking forward to this audition. I was rusty, and I had heard from some choristers that it consisted of a series of exercises of increasing difficulty that stopped only when one made a mistake. The audition itself seemed to me to go OK, but it really did not. I got an email explaining that I had trouble matching pitches, remembering patterns, and intonation, i.e., holding a pitch instead of drifting flat. I had to agree: with a diagnosis like that I would have a hard time participating.
But I was not entirely satisfied that this was a definitive judgment. In addition to certain physical frailties, I have substantial hearing loss, and I use hearing aids. These are sophisticated programmable devices, and I had four programs designed for different situations. Could it be that these were at fault, reporting incorrect pitches? I downloaded an application to my Iphone, called PitchPerfect ($2.00 from the Apple Store). This “listens” to pitches that are played or sung, reports the letter of the note, the frequency, and plots a whole note on the treble or bass clef. It can even generate leger lines, if necessary. I played a C on the piano, and this program dutifully reported the fact. Then I tried to match the pitch as best I could. B. It turns out all pitches on all my programs were reduced a semi-tone. This is because most of my hearing loss is in the upper frequency ranges, so the programs compress the sounds to push them into my better listening range. Most of the time it does not matter, but I noticed that a lot of musical pieces that I know well did not sound so great with these hearing aids.
I went to my audiologist and got a new program added, just for music, that does not change the pitches that are played into my ears. I got a second audition.
The result was much better. I could match pitches and remember short passages played on the piano. I still have a problem with intonation, but that is much more manageable than not being able to reproduce pitches that other people hear. I will have another audition and we will see then if I can fix the intonation problem. In the meantime, though, I feel pretty happy with the new program on my hearing aids. Music sounds better, and it is easier to produce.
I am adding an update. I had a second audition and was permitted to sing. But I really could not fix the problem and had to drop out.